Below is a representative sample of Jane's repertoire.

Works for the Stage

Benjamin Britten: The Rape of Lucretia (Sydney Chamber Opera, Australia)

Francesco Cavalli: L’Ormindo (Pinchgut Opera, Australia)

Donald Crockett: The Face (Firebird Ensemble, USA) 

Mary Finsterer: Biographica (Sydney Chamber Opera, Australia)

G.F. Handel: Imeneo (Festival Baroque, Perth, Australia)

Gija Kancheli: Exil (Sydney Chamber Opera, Australia)

Jenna Lyle: Plank Rodeo (BIFEM, Australia)

Dylan Mattingly: Stranger Love (Contemporaneous, Prototype Festival, USA)

Henry Purcell: Dido and Aeneas (First Witch [cover], Opera Australia)

Henry Purcell: Dioclesian (Pinchgut Opera, Australia)

Damien Ricketson: The Howling Girls (Sydney Chamber Opera, Australia)

Fausto Romitelli: An Index of Metals (Sydney Chamber Opera) [OZP]

Jack Symonds: Notes from Underground (Sydney Chamber Opera, Australia)

Antonio Vivaldi: Serenata a Tre (Pinchgut Opera, Australia)

Jennifer Walshe: XXX Live Nude Girls (BIFEM, Australia)

Borrowed Light (Tero Saarinen Company and Boston Camerata, USA and Europe)

Visitatio (The Song Company, Australia)


Concert Works

20th and 21st century

 

Peter Ablinger: Studien nach der Natur for 6 voices

Kati Agocs: Divani Hayati for 2 sopranos playing percussion [WP]

Georges Aperghis: Wild Romance for soprano and ensemble [USP]

Luciano Berio: agnus for 2 sopranos and 3 clarinets

Rick Burkhardt: Great Hymn of Thanksgiving for 3 speaking percussionists

John Cage: Four solos for voice for 4 voices

Elliott Carter: Poems of Louis Zukofsky for soprano and clarinet

George Crumb: Federico’s Little Songs for Children for soprano, harp, and flutes

Morton Feldman: Voices and cello for 2 voices and cello

Andrew Ford: Last Words for soprano & piano trio [WP]

Andrew Ford: Learning to Howl for soprano, percussion, saxophones & harp

Beat Furrer: Invocation VI for voice and bass flute

Beat Furrer: Auf tönernen Füssen for voice and bass flute

Stefano Gervasoni: In dir for 6 voices

Stefano Gervasoni: In dir for 6 voices and strings

Katarzyna Glowicka: Luminescence for 3 female voices & electronics [OZP]

Gérard Grisey: Quatre chants pour franchir le seuil for soprano & ensemble

John Harbison: The Rewaking for soprano & string quartet

Earl Kim: Where Grief Slumbers for soprano, harp & string octet

Earl Kim: Three Poems in French for soprano & string quartet

Toshio Hosokawa: Renka I for soprano and harp

Martin Iddon: Ἁμαδρυάδες (hamadryads) for 6 voices

Jesse Jones: through the veil for wind orchestra, 3 sopranos, and electronics

Liza Lim: 3 Angels for soprano, mezzo-soprano & baritone

Claus-Steffen Mahnkopf: void – un delitto italiano [USP] for 6 voices

Carl Orff: Carmina Burana

Rosalind Page: Hrafnsongvar  [USP] for soprano & ensemble

Ryan Pratt: Strand of Continuity [WP] for soprano & ensemble

Steve Reich: Music for 18 for female voices & ensemble

Steve Reich: Drumming for percussion ensemble & 2 voices

Ottorino Respighi Il Tramonto for mezzo-soprano & string quartet

Kaija Saariaho: Ariel’s Hail (from The Tempest Songbook) for soprano, harp, and flute

Josep Sanz Quintana: King Lear: Act IV Scene 6 for 5 voices

Somei Satoh: The Heavenly Spheres are Illuminated by Light for soprano, percussion & piano

Paul Stanhope: Sea Chronicles for soprano & string quartet

Karlheinz Stockhausen: Stimmung for 6 voices

Jack Symonds: Die Engel [WP] for soprano & viola d’amore

Jack Symonds: Liebeslied [WP] for soprano, viola & clarinet

John Zorn: Earthspirit [WP] for 3 female voices

John Zorn: Holy Visions [WP] for 5 female voices

John Zorn: Madrigals: Book I [WP] for 6 female voices

John Zorn: Madrigals: Book II [WP] for 6 female voices

John Zorn: Shir ha shirim for 5 female voices

The Origin Cycle [WP]* for soprano & ensemble

 

with piano

Daniel Rojas: Alianza Sonata [WP]

David Bedford: Come in here child

Nigel Butterley: Three Whitman Songs

Aaron Copland: Twelve Poems of Emily Dickinson

George Crumb: Apparition

Ross Edwards: The Lost Man

Peggy Glanville-Hicks: 13 Ways of Looking at a Blackbird

Helmut Lachenmann: Got Lost

Olivier: Messiaen Harawi

Rosalind Page: Sonetos del Amor Oscuro

Kaija Saariaho: Du gick, flog

Kaija Saariaho: Il Pleut

Kaija Saairaho: Iltarukous

Arnold Schoenberg: Book of the Hanging Gardens

Joseph Schwantner: Black Anemones

Claude Vivier: Hymnen an die nacht

 

Solo voice

Morton Feldman: Three Voices

Jason Eckardt: Dithyramb

Oliver Knussen: Four late poems and an epigram of Rainer Maria Rilke

Elizabeth Lutyens: Lament of Isis on the death of Osiris

Olga Neuwirth: Nova/Minraud (with electronics)

Kaija Saariaho: Lonh (with electronics)

Giacinto Scelsi: Ho IV

Giacinto Scelsi: Sauh I

Giacinto Scelsi: Sauh IV


Pre-20th century

 

 

 

 

 

 

 

 

J. Haydn: Nelson Mass

W. A. Mozart: Coronation Mass

G. B. Pergolesi: Stabat Mater

J. S. Bach: multiple oratorios and cantatas

D. Buxtehude: BuxWV 84, BuxWV 38, BuxWV 39

A. Vivaldi: Gloria

F. Couperin: Leçons de Ténèbre

G.F. Handel: Jephtha, Neun Deutsche Arien, HWV 83, HWV 96, HWV 154

G. Fauré: Requiem


In addition to the works above, Jane’s earlier repertoire includes music by Clérambault, Lambert, Monteverdi, Rossi, Lully, Charpentier, the Cantigas of Martin Codax, the songs of the French trouvères, Frescobaldi, Merula, and works from the Fleury Playbook.

Jane’s Art song/lieder repertoire includes various works by Brahms, Britten, Barber, Debussy, Fauré, Mendelssohn, Poulenc, Ravel, Schumann, Schubert, and Richard Strauss.